Luis Valença
Luis Valença is seen as one of the world’s greatest living riding masters of Portugal. Reason enough to visit Luis Valença at his Centro Equestre Da Leziria Grande in Portugal.
Study of the Old Masters
For over 10 years , I have been studying the old masters including Antoine de Pluvinel (1552-1620), François Robichon de La Guérinière (1688-1751) and Gustav Steinbrecht (1808-1885). I believe that by unraveling, integrating and complementing their sparsely documented knowledge, the ideal of the Centaur can be achieved: two souls and two bodies merge into one in harmony and beauty. The key to this is to consider dressage as an essential tool for achieving this ideal. This means that dressage exercises themselves are not the goal.In this context, I developed a structured and accessible method which I have called Straightness Training. I am deeply convinced that the concepts, training parts and exercises that are part of straightness training, will make the Centaur ideal more accessible for everyone who thinks first and acts later. It is my mission to make my knowledge about Straightness Training as widely available as possible. By doing so, other riders can realize the Centaur ideal more effectively and in less time. Subsequently, if these riders pass on this knowledge to others, I can make a contribution to improving the quality of life of many, many horses. By working together with self-thinking and empathetic riders we can give something back to horses, that are constantly giving so much to us.
Training with Luis Valença
Luis Valença has a tremendous track record and this curriculum on his website gives a good overview of his impressive career:Curriculum Vitae Luis Valença >>
More information about training with at the Valenca Equestrion Center can be found here: Valenca Equestrian Tours >>
From "goal oriented" art of riding to "goal free" art of riding
At the Valença Equestrian Center the authentic Portuguese equitation is still practiced and taught, and Luis Valença's way of training between the pillars and the high school exercises is unique. I also delved into the art of riding of the Portuguese bull fighting tradition. Note that I am absolutely not in favor of bull fighting and the inevitable animal suffering that goes along with it. However, I do appreciate the art of riding that derived from it.The same applies to the art of riding that arises from man to man fights. All contemporary dressage exercises, from shoulder-in to the high school exercises, find their origin in preparing horses for war. This was reflected in the battles of man to man, where even kings on horseback battled against each other.
Fortunately, in the Baroque period a movement emerged, based on the principle of L'art pour l'art, where the art of riding was considered as an art form in itself. This way of riding was all about the artistic beauty of riding and not meant for war anymore. So now the art of riding was freed from its original purpose, but was not alienated from its original principles. During the 19th century, the art of riding became alienated from its original principles because of industrialization and the changing nature of warfare with guns and canons. Also the breeding changed, with a shift from more square horses with carrying capacity and ability to collect, to more rectangular bred horses who possessed mainly thrust and speed, and less maneuverability. The Frenchman François Baucher (1796-1873) and the German Gustav Steinbrecht created, both in their own way, their own particular method to be able to train these more rectangular shaped horses according to the ancient principles.
Baucher versus Steinbrecht
Discussing Baucher versus Steinbrecht, this has led to several, almost "religious conflicts" in the past, because of their different approach in training horses.
The training components of Luis Valença
During my visit, Luis Valença talked extensively about the background of all training components they use at the Valença Equestrian Center to train their beautiful horses:
• Longeing
• Work in hand
• Riding
• Long lining
• Pillar work
• High school
• The art of fighting
Full of enthusiasm and dedication he demonstrated all training components:
Just like Luis Valença and his daughters Filippa and Sofia, his Lusitano and Arabian stallions I was working with, were very generous in sharing their expertise, for which I am extremely grateful!Through the explanations, demonstrations andlessons of the Valença's I received athorough and complete overview ofhis way of training and schooling horses. This uniquetraining weekhasresulted in even more motivationto continue with even greaterenergy and commitmenttorefinemy Straightness training method and to keep developing it. As always, Iwould like to sharemy experience with you, and in this videoyou will see animpression of myexciting weekin Portugal.